Tuesday, February 25, 2014

Easel on Down the Road - painting in South Carolina

Painting today was glorious! I had the luxury of waking up in the area where I would paint and of knowing I did not have to jump in the car and drive to a new destination when I was done. I walked some trails before breakfast and found an open space among pines next to Lake Thurmond. The ground was soft and the earth that dipped into the water was a rich red. A cool breeze balanced a steady sun and a deep calm settled over me.

I approached my work slowly, breathing in the pine needle twang and crawling the edge of each shape with my eyes. I heard wind approaching through the trees and looked up to see it press on the water in the distance, making a stripe of darker blue. I held onto the canvas and, when the wind did not dissipate, decided to put the painting on the ground and stretch myself out in the sun until it died down. This was an easy problem to solve!

I tried several more times to mount the painting back onto the easel, mixing colors and cleaning brushes before doing so. This worked for awhile but eventually the wind won. I put the painting on the ground and sat cross-legged to finish, feeling a bit like I was in kindergarten.

After cleaning up my supplies and myself, I drove out of the park and discovered a lovely restaurant within a local golf course. Everyone was remarkably friendly and exceedingly polite. What a day! Tomorrow I'm heading to Ashville, NC. I look forward to a scenic drive and to two nights in a cottage I found through "airbnb". 

Monday, February 24, 2014

Easel on Down the Road - Georgia

I spent 25 hours in Georgia. I am reminded that my quest to paint a landscape in every state is a journey. The navigation is erratic and dictated by any number of unrelated factors: available time, the weather, cost, visits to family and friends plus the unknown. Much like my actual life right now, the rules are few and the results are uncertain. It feels healthy, free and just a little bit scary. I'm stating this now to assuage the guilt over spending so little time in The Peach State.

So, anyway, I took a detour from painting after Alabama and spent three days with my 95 year old mom in Naples, Florida. Ruthie is a hoot! Nearly blind, ready to nap at a moment's notice and happy, happy, happy to do absolutely anything at all, especially if socializing is involved. We had lots of fun together. Then, yesterday, I drove to Atlanta and stayed with a dear, old friend. Catherine is my cousin's cousin and feels like a sister. We three (including the connecting-cousin, Mary) spent most of our summers together on the beaches of Saugatuck. Distance and adult responsibilities have kept the two of us apart for most of the last 30 years but once we saw each other again, we could not stop talking. What a true pleasure! 

This morning, after a brief driving tour of the grand, old city, I set off toward South Carolina via Catherine and John's lake cottage. I pulled into the drive at noon. It was cool and sunny. Fishermen floated by on boats and the breeze caught at the canvas on my easel. I painted a single chair under the shade of some trees, thinking of a lazy summer day in the South. I packed up in the late afternoon and drove across the Savannah River into South Carolina, where I have a room booked in the lodge at Hickory Knob State Park.

I expect tomorrow to be sunny again and will hike some trails in the morning, scouting out my next painting location.

Tuesday, February 18, 2014

Easel on Down the Road - Alabama

"Oh..oh Alabam... The devil fools with the best laid plans..." I can't help myself! Being a lifelong Niel Young fan, my brain sang that song endlessly as I drove the length of the state today. I painted 1/3rd of the way down, in Oak Mountain State Park, near Birmingham. It is the largest state park as well as home for a waterfall. I hiked part of the way to the bottom of the falls.  It wasn't very far from the parking area but I had to grasp saplings to steady my gate. I sweat pretty hard climbing back up (decidedly out of shape!) and chose instead to unpack my easel and paint near Peavine Falls Road, overlooking a gurgling runoff, just steps from my car.

I grew calm once painting. Yesterday's drive was grueling - 11 hours starting with snow and ending with torrential rain and a stay in a sticky Motel 8. I felt grim. Why was I doing this, again? Was there a point to leaving my warm (albeit snowed-in) home and studio, my wonderful boyfriend, my needy dog? I did not feel the pulse of the project, the urgency to drive and paint, drive and paint. But once the challenge of recording moving water was upon me, I forgot everything else and focused. Structure! A goal! The sun swept through the trees and the breeze was light and warm. Ahhh.

Tonight I am in a much nicer room and very close to the warmth of the gulf. Tomorrow I drive south to Naples, where my mom is eagerly waiting to see me. I will take a luscious three days off, then head to Atlanta, stay with an old friend and locate a landscape to paint, once more a citizen of the road.


Tuesday, November 19, 2013

Final Tennessee Painting

Tennessee is done. It was clearly the most challenging in subject matter, if not conditions.  Plus, the first on a trip is always the hardest, even if I have been painting the days leading up to it. This painting was downright ugly at the end of 4 hours in the park but it seems that ugly has the best chance of becoming most interesting. (Hahaha - that's what my mom used to tell me... ) 

Percy Warner Park, Belle Meade, Tennessee

And, cheers to the people who wrote to me about loving their state. I have found that people are proud of where they were born or grew up, and Tennessee is no exception.

Saturday, November 16, 2013

Easel on Down the Road - Hoosier Hospitality

If that's not a regular phrase, it should be. Indiana proved to be one of the most welcoming states of all. Of course, it helps to have friends with generous spirits.

Melanie is a college buddy of Angela's and I have spent time with her in the distant past, but not much in the last 25 years. (Am I honestly that far from my youth?!?) When I saw her last April she invited me to stop by any time, so I took her up on it. She lives on her family's farm with her 13 year old son, Yasha, two lively dogs, two cats and Carina, the PhD-girl from my Kentucky post. Mel insisted I use her own bedroom.

The next morning we took a walk with the dogs after Yasha got on the bus. Mel pointed out areas to paint. Down several hills from her house sits a small farmhouse, built in the 1880's. She and her parents lived there when they first bought the property. No one lives there now.  Just below that was a faded red barn.

I decided to paint the two old structures. It seemed they had interesting stories to tell and, while I can't begin to guess what they are, I like to tease at their presence. I perched on a hill, leaning forward, and looked up at them. The wind was sharp and a dog from the farm below barked and barked and barked. Twice a rooster joined in. His effort made me laugh.


I sketched and then blocked in the darkest colors. The wind bit. I thought, "I DO have a good reason to do this, right?" The dog continued barking. I focused. I wanted to work quickly and leave before one because of a 5 hour drive home. By 11:30 I was hanging onto the canvas with one hand and slashing the sky on with the other. I was freezing. Mel had let me use her new pickup to drive all my supplies down several grassy slopes (see what I mean about generous?) so at noon I packed up and threw my stuff in the truck quickly in order to get inside and warm.


Today I am home. It is windy here but not very chilly. I lit a fire in the wood stove anyway. It feels good to be home. Charlie cried at me for a long time when I arrived. This morning I took him for a 3 miler and now he is sleeping the heavy sleep of relief.



After working several hours in my studio (on Kentucky), this is what I realized about plein air painting: when painting outside, you do not have time to dilly-dally, especially when it's cold. There is absolutely no agony over choices (like what color, exactly), you just paint. I noticed today that I bring that sense of urgency back with me into the studio. A few "tough" bouts outside and I'm recharged. 

This was a successful trip. I am happy to have wrapped up three states with minimal fuss and maximum enjoyment.

Thursday, November 14, 2013

Easel on Down the Road - Kentucky, again

Last night I stayed in the lodge at Barren River Lake State Park in Kentucky. I got there in the dark, a full hour later than expected (thank you 5-year-old GPS). I was tired and therefore elated to find they had a restaurant from which I could order take-out. Ahhhh. Life is good when you can take a hot shower, watch MSNBC and eat a Cuban sandwich in your pj's!

This morning at breakfast I asked the hostess and waitress where I should paint. What was quintessential about their state? (Last April Angela, my best-friend-painting-girl, and I traveled through Kentucky and I painted a 16x20 of a lake with a tree in front. I don't like that painting, it does not represent the state to me and it is the wrong size.) From these women I heard about a goat farm, horse ranches and a cheese-making enterprise that also sells wine. The easiest destination was right in the park - the barn that houses horses. Perfect!

I set up by 10:30 (time zones be damned - I'm living on EST) and knocked down at 3. Some people walked by and many vehicles zoomed past but only one man stopped, got out of his truck and strolled over to take a look. He was cheerful and young, with a long, shiny ponytail. He worked at the park, knew every inch of it and loved it dearly. He asked a few questions about what I was doing then launched into a detailed account of catching catfish with his bare hands. He would dive under water and nudge them gently with a pole while they were in a cave. He would block the entrance, entice them out and catch them. The largest he caught was over 70 pounds. He has enough in his freezer to eat catfish every day of the week for a year and he generously offered to tell his wife to bring me some (he was on his way to work). I declined, imagining driving back to Michigan as they thawed for two days in my car. 

So, that is my Kentucky experience. Like Tennessee, it is a very Southern state. This afternoon, crossing the Ohio River in Louisville felt like moving into home territory. The traffic was fast and heavy but I did see beautiful, big bridges on either side of me spanning the huge waterway, gleaming buildings lining the shores. And then I was home - the Midwest. Now I am at a friend's house not far from Bloomington, Indiana. She and her son and, coincidentally, Angela's daughter (who is living here while she gets her doctorate at IU) have welcomed me with great conversation, Thai food and a comfortable bed. I cannot wait to see my surroundings in the daylight and pick a site from which to paint.





Wednesday, November 13, 2013

Easel on Down the Road - Tennessee

My short stay in Tennessee had many interesting aspects but one event will forever define it for me.  First things first...

I had a free week and decided to grab three more states before year-end (16.6 x 3 years = 50 states). So, yesterday I headed south out of Saugatuck (through a freakishly bad snow storm at the bottom of the lake) to Nashville, where my niece welcomed me with open arms, two small children and turkey chili (yum!). 

Robin is the oldest daughter of my third oldest sister. She unintentionally inspired me to write this blog because her own blog is both naturally humorous and unselfconsciously smart. http://peainherpod.blogspot.com

This morning, Robin and the boys led me to Percy Warner Park in Belle Meade, a city within the city of Nashville. Old stone steps climb gracefully up a hill, the entrance to over 800 acres of wooded trails. I set up looking at a small bridge. The old masonry was difficult to draw but the light through the trees was magnificent. It was cold and I had a hard time concentrating at first.

As soon as an expected phone call was received and completed, I could relax enough to focus.  That call was from "A Way With Words" (http://www.waywordradio.org), an NPR show that I heard in Minnesota (we don't get it in Saugatuck). I had called in about the word "oory-eyed" and they wanted to hear my story! I was so nervous; I was snuffling from the cold and madly trying to evade the leaf blowers who were roaring in the background, but talking to the hosts was easy and fun. I wonder how much will get edited out... 

So that call will always remind me of painting in Tennessee. And I will think of the mansions lining the streets in Belle Meade when I think of Nashville and also of being a young mom with little peas at home, playing endless board games and inventing Batman scenarios. 

Tonight I am in a lodge at Barren River Lake State Park in Kentucky. Tomorrow I paint this state a second time.